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Saving the best for last, holds true this time with "Risk Taking Women in the Arts." A conversation series which has set the tone for more talks to come that focus on reversing the marginalization of women in the fine arts. Laughter, love, and a whole lot of legs and thighs are just some of the features which makes this dynamic duo Joyce J. Scott and Kay Lawal-Muhammad shinning stars on or off the stage and most of the time showing at an exhibit near you such as "Walk a Mile in My Dreams." The synergy was on display for the audience to witness in its purest form and not rehearsed. Similar to their performance which were captivating, bone chilling, that could cause one to do a little soul searching but it was from a place of love, such as the refrigerator! Friends, chemistry, and comedy given straight from the heart is what one will hear. Being gracious and master collaborators, making props for the stage was so intense and a great way of how to give and share with community. Joyce J. Scott's mother Elizabeth Talford Scott played a vital role inspiring her to pursue the arts and create a legacy. And 50 years later, she and her mother have exhibits at the same museum. Before such powerful moment, Whoppi Goldberg was the revelation that a one-woman show was possible and gave the dynamic duo the confidence to curate themes like "Thunder Thighs." The visuals by Joyce J. Scott of all the characters, full body and funny that's what the audience expected. "You must be willing to reveal," expressed Joyce. Most chatter in the early 1980's was regarding the way a women's body should be shaped and a Virgina slim cigarette wasn't the standard for the duo. They focused on feeling good about yourself and finding your greatness. Joyce has some concern about women being naked, and this constant twerking that didn't make the scene. There are so many aspects of the arts and being sexy is just one form of expression, part of a vast creative society. Kay shared that the obsession and addiction to food, a refrigerator gave reverence to the stage performance. Fatness in a time where Twiggy was the body standard, they took colorism on and talked about it in Sarah Barkman. "Do we think about who's looking at us, and the judgements they're making," expressed Joyce. Women who manifest a new body for themselves to have a body sort of like Sarah Barkman is the beauty standard now, while looking back at what black people thougth beauty was. The refrigerator was full of knowledge with the freezer serving wisdom and wealth. The sexual component of food was served during their show. To be in control of food becomes a deep friend who can destroy if not careful. Furthermore, walking around in your body, color of skin tone and shape of thighs gave the women extra confidence. "Elevating the young, lifting the arts," is the legacy Kay wants to leave behind. "If not now, then when," expressed Joyce of creating and expanding your contributions to the arts with "the audacity to be me is my legacy," expressed Joyce J. Scott. Her exhibit will be featured at the Baltimore Museum of the Arts until mid- July.
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Technology has been showing very telling signs that it can take many upgrades for a desired protocol to fully carry out the functions. And a quick fix doesn't solve for much movement along the network. It does afford assistance with managing and organizing data, but when it isn't responsive frustration can surface especially if a task is time sensitive. Moreover, the mechanics of machine learning has matured since the floppy disc days or Windows installment. The modules are still being materialized for better or worse. Meanwhile, its concepts can be mesmerizing. Perhaps under the assumption that access affords opportunity to network freely without any messages being rerouted back to the starting point. Not certain why the platform Instagram which is classified as social media networking constantly goes through content, which was shared over 100 to 200 weeks ago, but that is what occurred. The message suggested it will delete random videos which content or sounds should be block in certain countries. Who owns sound on such platform? Well that depends on various specifications such as where it derived from, its origin. Furthermore, its use can be viewed as the central process unit for deleting videos that account holders share. It's a challenge for artificial intelligence to recognize character traits which is why you must code like your life depends on it. Neither can it identify compassion to determine that the sound in the content was not derogatory or attempting to infringe upon ones copy. In fact, there was mainly emojis used as captions. The content displayed the sounds in the gym or while walking and in a car. Despite many of the social media platforms being a replica of the other TikTok doesn't flag your videos from 100 to 200 weeks back, they instantly remove the sound and send you a notification. At least that is a more decent standard and approach. Sharing the sound through a content video doesn't subtract any value from the original sound it has the potential to resurface on the music charts. Needlesstosay, the direction technology is going can't be predicted when every 3 months an update rolls out so uncertainty can be the best place holder for its trajectory. Taking a moment to reevaluate its measure performance which determines the capacity to carry out the command without a prompt suggesting a network issue would be satisfactory standard. Technology is supposed to be efficient in time management, seamless in networking connections and performance. Now that Microsoft Office has managed to remove the operating system from the factory settings model for consumers to purchase in a bundle format for all your word processing needs in case Google Docs isn't accessible. What will it take for technology to function as its advertised? Perhaps to move beyond a beta testing phase upgrading to a more alpha phase so the full capacity is in use. Not sure about you but looking forward to the day technology functions as it was designed and doesn't designate itself as a parent randomly deleting content videos that pose no harm. After all, content is KING, but if account holders are flagged for copyright and not being able to recognize the context, then it's a joker. Top 10 songs in Instagram music observance for over 100 weeks:
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April 2024
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